Henrik Ibsens A Dolls House In Henrik Ibsens A Dolls House, the main military personnellike char momenter, Torvald Helmer, speaks very patronisingly to his wife, Nora throughout the first passage of the play. He has a defined and narrow definition of a womans role, which is distinctly exemplified in his diction towards his wife as well as in file name extension to her. In his opinion, it is the shaper duty of a woman to be a pricey wife to her husband and a good mother to her children. Furthermore, he tells Nora that women are solely answerable for the faith of their children (yet alike moderately contradicts his point at the same meter in reservoir to Krogstad): It generally comes from the mothers side, but of course the fathers forge may act in the same way (164). Basically, he sees women as child-like, careless, helpless creatures detached from reality while they also must act as prominent moral forces responsible for the purity of the dry land via their in fluence in the home. Torvald also has near no curse in Nora. In the first act, he continually scoffs at her for her flirtatious way of spending money, stating, Its a sweet teensy-weensy lark; but it gets through a lot of money. No one would believe how much it cost a man to keep such a exact bird as you (Ibsen 140).
He continuously mentions how he would contrive her money if she would do with it as he sees fit, then gives in as his composition of this game they play with one other where Nora plays dumb so she may have what she penurys. Torvald calls Nora a subroutine of names in the first act, including my little lark, little spendthrift, little rogue, squirrel, little songbird , sad little Nora, and little woman (Ibsen ! 137-154). If you want to get a full essay, order it on our website: OrderEssay.net
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