Walt Whitman - Song of Myself

Walt Whitmans strain of Myself, is a contemplation of life seen from a vantage point of a thirty-seven- year- old poet. Through the custom of various images and symbols, Whitman attempts to outline his muckle of an various(prenominal) among former(a) individuals and sh bes his intelligence of an individual as sidetrack of the universe. Yes, each individual has a prominent voice, but when it merges with myriads of other prominent voices, it becomes indistinguishable and blends with the Brobdingnagian limitlessness of the universe. Song of Myself is part autobiographical; it gets its nourishment from Whitmans personal life. The poem is rendered as an amalgamation of different scenes and images go with by Whitmans translation on those elements that seem opposite to him.\nWhitman employs his self as whatsoever kind of a figure for all. He raises his self up to an abstract self representing any(prenominal) other individual because the poet believes, What I assume you shall a ssume. These words stress his idea: in appal of differences, all humans be bonded by a universality, which enables them to empathize and appreciate, perceive and share their individual perceptions with others. But universality is attach to by uniqueness, the creator of shapes and color in in dazzling multitude. You shall find out to all sides and filter them from your self, notes the poet.\nSong of Myself is a series of scenes with an ferocity on different aspects of life. The prime(prenominal) of themes is as broad as life. However, in this orchestra of voices and images, symbols and reminiscences, it is not knockout to identify several crucial ideas (for example, the idea of unending transmutation of nature or vexation of procreation in humans) that are exceptionally significant for the poet. For Whitman, lowlife symbolizes natures constant urge to revive and recite life. But the poet recognizes that he lives in the world of tones and undertones. Grass, for him, is also a symbol of ...